A couple of weeks ago, I took a workshop on cityscapes with Judy Mudd, who came up from Louisville for the day to teach us a bunch of tips and tricks. As always, she was friendly and engaging and full of knowledge and encouragement.
This is what I painted that day. Cities are not my native habitat, so this was an exercise in architecture and in light & shadow. I'll take what I learned and use it to paint more of my favorite rural subjects.
I had a lot of fun learning how Judy does people and cars and I was happy to be able to practice in this piece.
I've taken workshops with Judy before and as always we had a great time. If you get a chance to take a class from her, do. Her 2 or 3 day classes taught in Berea, Kentucky are wonderful!
You can see Judy's award-winning work HERE.
Showing posts with label Judy Mudd. Show all posts
Showing posts with label Judy Mudd. Show all posts
Monday, April 15, 2019
Monday, July 18, 2016
Painting Class with Judy Mudd
In my eternal quest to become a really good painter, I took a class from Judy Mudd in Berea, Ky earlier this month.
It was amazing. I'd never done a class like that before so I decided to go with the flow. She had done a lot of prep before hand, chosen the reference photos and worked up a finished painting so we knew what we were aiming for.
We spent a lot of time gathered around her easel watching her demo, then back to our own work, then back to demo, back to ours, etc. a section at a time.
Here's the thing. When you take a class like this from a gifted artist and teacher, she brings out the best in you. I do not paint as well as I painted in this class, yet every pencil mark, every puddle and brush stroke in these paintings is really mine. I painted these...and was stunned afterward that I did.
We painted this one the first day. There are some things I'd like to fix, but I tried a bunch of new stuff and it looks pretty OK. I was really happy with it. [And truthfully, the best thing about this is the rust on the silo. I invented that rust - it wasn't in the reference photo. I love that rust.]
The second day, we did the white house on the curve [above]. A bunch of stuff clicked and I was amazed at how successful that piece is.
Here's the other thing. Now I'm kind of scared that I won't be able to do my own stuff that well. Yeah. So I've pinned these up in my space to remind me of what we did. I have my class notes out and open so I can refer back when I need to. And I'm going to keep on painting.
It was amazing. I'd never done a class like that before so I decided to go with the flow. She had done a lot of prep before hand, chosen the reference photos and worked up a finished painting so we knew what we were aiming for.
We spent a lot of time gathered around her easel watching her demo, then back to our own work, then back to demo, back to ours, etc. a section at a time.
Here's the thing. When you take a class like this from a gifted artist and teacher, she brings out the best in you. I do not paint as well as I painted in this class, yet every pencil mark, every puddle and brush stroke in these paintings is really mine. I painted these...and was stunned afterward that I did.
We painted this one the first day. There are some things I'd like to fix, but I tried a bunch of new stuff and it looks pretty OK. I was really happy with it. [And truthfully, the best thing about this is the rust on the silo. I invented that rust - it wasn't in the reference photo. I love that rust.]
The second day, we did the white house on the curve [above]. A bunch of stuff clicked and I was amazed at how successful that piece is.
Here's the other thing. Now I'm kind of scared that I won't be able to do my own stuff that well. Yeah. So I've pinned these up in my space to remind me of what we did. I have my class notes out and open so I can refer back when I need to. And I'm going to keep on painting.
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