Showing posts with label creek. Show all posts
Showing posts with label creek. Show all posts

Sunday, February 28, 2021

Beehunter Creek Series - Failing Faster

© Robin Edmundson, 'Beehunter Creek, gold field 949, watercolor, 9 x 12 inches. 
Framed $300.  


In my day job, we’ve been working on some big projects lately. Learning new things, new platforms, new ways of thinking about things - at the very same time that these same platforms are ‘updating & upgrading’, which means that just as we learn how to do something, it changes. At one point we launched a project and it just wouldn’t work. It was a bit discouraging, but our team has a great mindset and at our next meeting we spent some time talking about the notion of ‘failing faster’.

This is the idea that the object of the game is to blaze new territory, build skills and go where we have never gone before. We remind ourselves that new stuff is…new. There are no crystal balls, you just have to wade in and figure it out. The more you do that, the faster you figure things out and reach your goal. It takes time, effort, and a tolerance for failure and frustration.

This made me think of Thomas Edison’s approach to his own work. You’ve probably heard of his ‘Ten thousand things’ quote. I found the real story HERE.

‘… in 1910 in a comprehensive two volume biography called “Edison: His Life and Inventions”. The anecdote was told by a long-time associate of Edison’s named Walter S. Mallory. Edison and his researchers had been working on the development of a nickel-iron battery for more than five months when Mallory visited Edison in his laboratory.

‘I found him at a bench about three feet wide and twelve to fifteen feet long, on which there were hundreds of little test cells that had been made up by his corps of chemists and experimenters. He was seated at this bench testing, figuring, and planning. I then learned that he had thus made over nine thousand experiments in trying to devise this new type of storage battery, but had not produced a single thing that promised to solve the question. In view of this immense amount of thought and labor, my sympathy got the better of my judgment, and I said: ‘Isn’t it a shame that with the tremendous amount of work you have done you haven’t been able to get any results?’ Edison turned on me like a flash, and with a smile replied: ‘Results! Why, man, I have gotten a lot of results! I know several thousand things that won’t work.’’

In 1921 Thomas Edison was interviewed by B. C. Forbes for American Magazine. Edison described an incident that matched the anecdote presented by Mallory although he did not provide a precise dialog [BFTE]:

‘I never allow myself to become discouraged under any circumstances. I recall that after we had conducted thousands of experiments on a certain project without solving the problem, one of my associates, after we had conducted the crowning experiment and it had proved a failure, expressed discouragement and disgust over our having failed ‘to find out anything.’ I cheerily assured him that we had learned something. For we had learned for a certainty that the thing couldn’t be done that way, and that we would have to try some other way. We sometimes learn a lot from our failures if we have put into the effort the best thought and work we are capable of.’

I love that last line.

It’s true for art as well. This is why we work in series - to explore an idea by putting into the effort the best thought and work we are capable of.

Recently, I’ve been working on a series of paintings of Beehunter Creek. [You can see some of the early versions here.] For each study, I have a question: What happens if I use this brush? What happens if I use these colors? What if I reverse that? What if all I do is pay attention to the edges? What if I start this way or that way?…

It means that I end up with stack of things that didn’t work, but slowly, slowly I collect the things that did work and if I keep going, then some day all those things will click into place and a higher and higher percentage of the studies I do will turn out well - precisely because I will already know what doesn’t work and I’ll be able to focus on what does. [The painting above is the 5th study I did of the Beehunter Creek scene. I’ll continue to explore it - larger, brighter, looser, etc.]

I’d love to know the things that you’ve been working on, that you have stuck with until you know the things that won’t work and the things that will. Drop me a line and tell me about it.


Here's another of the studies I did in this series. 


© Robin Edmundson, 'Beehunter Creek, 948', watercolor, 16 x 20 inches. 
Framed, $575

Wednesday, February 17, 2021

Beehunter Creek Series


 ©Robin Edmundson, 'Beehunter Creek, purple', watercolor, 16 x 20 inches.  $475, unframed.


I'm doing a thing this year where I work from one reference photo and spend the year painting it so at the end of the year I have several versions and can let myself experiment in all the ways. 

The reference photo was taken last March on a cloudy day.  Mostly beige, but I love the lines. It's a good photo to work from.  I want to emphasize here that the point is *not* to copy the photo, but to use it as a jumping off point.  

This means that I'll leave things out, simplify, go crazy with color, experiment, paint different sizes, etc, and if I drift away from the literal, that's ok - great, even!  [In the ref photo, there was a large tree branch coming in from the left.   I left it out completely.]



©Robin Edmundson, 'Beehunter Creek - 856', watercolor 8 x 10 inches.  $190, unframed.




©Robin Edmundson, 'Beehunter Creek', pencil study, 4 x 6 inches. 


I have a couple more paintings of this scene already in the works and I'll post them as they're done. 






Wednesday, July 1, 2020

Silo & Barns

Today is the start of World Watercolor Month!   All this month, watercolorist are celebrating this wonderful elusive medium.  I'll try to post here as much as I can.   [Check out my Instagram feed for daily posts]




© Robin Edmundson, 'Silo & Barns', watercolor, 9 x 12 inches.



This is another piece that developed from a drawing started in the Ian Roberts study group.  It's interesting and fun to try a composition out on paper that is differently proportioned.   It stretches and compresses things in interesting ways.   

Here's the original drawing:


I'll likely paint this one again on a larger piece of paper with proportions similar to the drawing.  I like those trees on the right a whole lot.  

Wednesday, February 19, 2020

Two Young Beeches

© Robin Edmundson, 'Two Young Beeches', watercolor, 14 x 10 inches.
Framed to 20 x 16 inches.  $375.

One of my favorite sights of winter is the glow of the young beech trees in the woods. 

It's funny,  I'm only ever aware of these young beeches and the very old ones, that are full of tunnels and hollows and populated by raccoons and owls and scolding squirrels.  I never notice the medium ones.

Young beeches hold most of their leaves all winter long.   It's these trees that inspired the name 'copper beeches'. 

After the rest of the woods goes gray and dull in the winter, these young trees continue to light up the woods until it's almost spring.   Just as spring begins to arrive, these copper leaves turn white at last and drop.

Thursday, February 13, 2020

Red Barn across the Creek.

©Robin Edmundson, 'Red barn, creek', watercolor, 10 x 14 inches.
Framed to 16 x 20 inches.  $375

I don't have lot to say about this one.   I'm practicing water and reflections and grass on the edges of the creeks.

Artists problem-solve a lot.   Each time we begin a piece, the first thing we learn is what we don't know how to render.

For a watercolorist like me, that means that the first draft is usually destined to become a fire starter.  Some time around the 3rd or 4th draft things fall in place - which means I've learned how to paint the things I didn't know how to paint when I started.   It takes time and persistence.  And even a well-rendered subject can make a poor painting if other factors such as color, value [light/dark] and composition are not well thought out.

[So when you see someone whip out a gorgeous watercolor in 20 minutes, remember that it took weeks and years of learning, along with hundreds of failures, to allow her/him to do that.   Never ask an artist 'How long did it take to paint/make that?'   It took years.]

There are some things I really love about this piece.  You'll be able to see it at my upcoming show at The Venue in Bloomington, Indiana in April, 2020.

Thursday, May 30, 2019

More Bluebells

©Robin Edmundson, 'Bluebells - 546', watercolor, 8 x 11 inches.
Matted and framed to 11 x 14 inches.  $225


Another view of the bluebell wood down by Richland Creek.  

This is the first time I used the 300# Indigo paper and I have to say that I love the pebbly texture. The company has made some manufacturing changes since this batch was purchased and I'm excited to try their new paper.  I hope it has this same great texture.

Sunday, April 2, 2017

Finally Done

© Robin Edmundson, 'March Creek, Cloudy Day', watercolor, 12 x 9 inches

This one is done.   I darkened up a few things to increase the contrast and I've learned what I need to learn from it.    It's ready to be framed.    

Framed it will be 22 x 18 inches.  $350.    

Wednesday, March 15, 2017

March Creek

© Robin Edmundson 'March creek, cloudy day', watercolor, 12 x 9


I'm practicing the whole water thing.   We have a lot of water around here, so I have a lot of reference material.

This piece is almost there.   It needs to sit for a bit and then I need to add more darks in places.

What do you think?   Does the water read well?

Wednesday, February 25, 2015

Winter Creek


The creek is pretty all year long.  Even in the winter.

It runs all the time so never freezes over entirely.   And the vast majority of time during the winter it looks like this.  

Forty shades of icy brown. 

With a little touch of moss at the edges.  

Monday, May 5, 2014

Bluebells by the Bridge

It's bluebell time.   I find them enchanting. 

Enchanting, I tell you. 

Magical.

Ethereal.

Otherworldly.

A. May. Zing.   Heavy on the zing. 


We've got a bunch planted by our creek and I love this batch by our bridge.  

Notice the repairs at either end of the bridge - Lily and I built that when she was 5 years old.  She pounded every single nail by herself.   It's lasted beautifully all these years, but the ends got a bit mushy from being in contact with damp ground.   The girls replaced seven of the boards last weekend and I expect we'll get another 13 years out of it. 



While they were pounding, I was on the other side of the creek looking for more bluebells.

Because they're enchanting.  

Wednesday, March 12, 2014

Ice

The creek ice is melting away.   We've never seen it so thick as we have this year.   Click these pics to blow them up big enough to really see how beautiful it is.


This ice looked like pillows from Christmas until this week.  



This section has wiggly squiggly layers and was our favorite as far as weird ice goes this year.




We loved the swoops and icicles in this section.



Icicles under every rock along the creek.  

They're lovely, but I'll be glad to see them leave.

Sunday, February 16, 2014

Waterfall

Not too far up our creek is a waterfall that drops off the hill into the creek.  It is spectacular this year.  

I braved the brambles and barbed wire and iced over creek to go get these pics.   I'm so glad I did because it's even more spectacular when you're up-close and personal.




Click these pics to blow them up so you can really appreciate how wonderful all this ice is.
 
Ice sheets and stalactites - but behind them in the cliff face are beautiful columns of ice.





No words.   Blow it up and just wander around in the pic for a while.  




At the top of the waterfall is a large piece of shale overhanging the fall.   The roots of the tree above have anchored it in.   The water is wearing away the rock layers around that shale.  Someday that tree will come down and take a whole lot of rock face with it.


Tuesday, February 11, 2014

Thawing Ice


The spring thaw can't come soon enough for me this year.  I'm ready to start thinking about maple syrup and gardens.  In the meantime, I noticed this spot in the creek one warm-ish day where a spring must have been warming the ice from below and it thawed in this one spot.  I liked the look of the layers and cracks spreading out. 

Thursday, January 30, 2014

Winter's Teeth


These icicles show up where the little springs drip constantly into one of our creeks.  As soon as it gets cold, they show their teeth.   This winter has been particularly biting.

Tuesday, January 21, 2014

Magic



This is the creek that runs down the hill next to the road from Solsberry to the black barn.   It meanders, like all of our creeks do.    It looks nice in all seasons, but looks spectacular decked out in white.

I love those snows where the snow sticks to every twig and branch.   It's magical.


We specialize in magic around here.   

Monday, April 29, 2013

Creek Rock

We have a lot of rocky outcroppings on our place.   All over the place.

It makes mowing kind of...exciting.  

The prettiest ones are around the creek where the water has worn things away.  The rocks break apart and fall in the water and moss grows on them and it's beautiful.   I love that bright green.  

Sunday, April 21, 2013

Bare Roots

This tree sits on the creek.  It's a sycamore and the wood bleaches white in the summer.  The roots are washed bare and they curl around all sorts of stones.


Friday, February 1, 2013

Winter Creek



After the Big Snow, we had a Big Warm, which melted the snow really fast, and then we had a Big Rain.    It was a lot of water all at once and sure enough, we flooded.

When all that water hits the creek, it moves fast and carries a lot of debris with it.    I'm talking trees,  and rocks the size of your head. 

It's loud.    Really loud.

When it's all done, the creek is scrubbed clean and the bottom shines in layers of oil shale and iron rich limestone.    Blue and orange. 

This is  looking straight down into the bottom of the creek. 

Pretty.

Lily took these pics the day after the flood. 

Tuesday, January 29, 2013

Ice

Lily collected these pics of the ice along the creek one afternoon, after it froze again after the flood.   It's really amazing how differently water acts when the temps get cold.  





Tiny bubbles.




Flat icicles coming off the rocks above.


It looks like a fossil or a petroglyph, doesn't it.




A large water meniscus between layers of ice.






These froze almost like scales.



Frozen ripples.







One of a set, clear as glass.

Amazing.

Saturday, January 19, 2013

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